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She came at night

She came at night, hidden between the sheets in the small place that is always between my arm and the pillow.

Wine when I can not defend myself, when my words and my dreams are open for anyone to view, who will listen, for those who want to take them. When my attention is on the beads of sweat covering my neck resigned to the heat of the night, to the anxieties of the waiting women dreams.

She came at night and I spoke in words that I remember, I tried to touch that I wiped and looked at me without looking color but penentrante. Wine night in my dreams and I moved into parts of my heart I knew not to be used, told me words to me I was meant life.

She came at night and died just before the end of my dream.

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Why do not you give me your money? Foreign

Why not give me your money? I promise to free you from all your worries, relax, and justify your failure to accept blame for your lack of cash.

Why not give me your money? I know it will be painful, at this point you have tight fist so tightly that your fingers are white and marks on the skin. It's hard to let go, it's not easy letting go, even for you both directly and indirectly presume the little materialistic you are, I saw the smile you put to pay the beers, I saw the spark in your eyes when you get your last coins to buy food on the street when you could eat at home if you deign to return three days before the statutory minimum in your fantasy of the party.

That calamity! discover that you feel so attached to something so banal be critical, how important is you irrelevant, as you know that freedom distress to brag on parade whenever you is merely a mask equal to those of others. Alma

cold and pointless if I could take it off me, if I had a chance to start again today anywhere else I would do it because I swear I'm not like that, which is everything else, this place is dark, is the lack of sound, the sky off and opaque, it is people and monotone speaking, the contempt in their eyes and fraternity with very heavy spoken to each other. This is not me, it's just the shadow of the ruts of what might be inside, before this fantasy was my own escape, my shield of others, now it's just like if I force myself to keep myself violated, and no I can live without it.

Why not give me your money? I promise that everything will be different.

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Au revoir, les enfants

YEAR: 1987
LENGTH: 104 min .
COUNTRY: France
DIRECTOR:
Louis Malle Screenplay: Louis Malle
MUSIC: Franz Schubert, Camille Saint Saëns
PHOTO: Renato Berta
Cast: Gaspard Manesse, Raphaël Fetjo, Francine Racette, Carré de Malberg Stanilas, Philippe Morier-Genoud, François Berléand, François Negret, Peter Fitz, Pascal Rivet, Henrieta Bendit, Xavier Legrand, Irène Jacob
PRODUCER: Co France-Germany Nouvelles Editions de Films / MK2 Productions / Stella Films
GENRE: Drama . Friendship. Children. 40's. World War II

Memories
by @ SergioZETE

On Monday I discovered suddenly that was the next proponent of # CineCT. Since

had not prepared anything because of my hectic life in recent months, I decided to throw this time of my very poor memory and I considered the possibility of recovering one of those movies I saw when I was a kid and that just today I have vague references. And you will ask yourselves why.

The answer is simple: I have always believed that the best memories are those that persist from childhood. That's what happens to me John Wayne movies of those afternoon sessions Hartnell or lyrics Nino Bravo trying to sing my dear mother whenever he began to warm the pot. Many of those memories that I can only recall the fascination and children ... and that's what happens with the movie I selected.

No I lie if I confess I do not remember exactly the development of the film, no dialogue or character traits, but in my memory another poke a boarding school, a forest, hiding in a classroom an invasion, persecution, a mother, a restaurant and farewell glances. Those eyes left me with a residue of bitterness, but also a trace of the feeling of fraternity that has accompanied me in my preferences throughout my life and I can also see reflected in the camaraderie of the members of # CineCT.

Perhaps from my innocence at that time the only thing I noticed was that and still remain many things in the pipeline. Or perhaps my interpretation was wrong and the movie we want to show other things, so these and many other reasons I want to share with you the possibility of revisiting this work ... Nothing fart add more emocionéis just hope you like the child that one day you were, as I did at the time ... I'm sure at least not let us down.

http://www.youtube.com/watch?v=kWkFFKfc0YU&feature=related
... Goodbye, boys


DIRECT DOWNLOAD - in vagos.es DVDRip (MU & RS)
Subtitles - English in vagos.es DVDRip (MU)

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We saw and I can not avoid just because of the sensitivity it will link that unites us, for the effort required to keep When replacing any of the conditions.

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Jo, what a night!

YEAR: 1985
DURATION: 94 min .
COUNTRY: United States
DIRECTOR:
Martin Scorsese Screenplay: Joseph Minion
MUSIC: Howard Shore
PHOTO: Michael Ballhaus
Cast: Griffin Dunne, Rosanna Arquette, Linda Fiorentino, Bronson Pinchot, John Heard, Verna Bloom, Martin Scorsese, Teri Garr, Cheech Marin, Tommy Chong
PRODUCER: Warner Bros.
GENRE: Comedy . Drama in the big city. What you think Paul Hackett when he meets Marcy in what looks to be a powder easily. But in the city, as in the jungle, everything can get worse and worse to fatal. Paul discovers that Marcy is not what it appeared to be attempting to escape and sets off a chain of unpredictable consequences.

Jo, what a night! Mars is the biggest movie of Martin Scorsese, bold and fresh. Part of a special script that twists the classic structure of presentation, middle and end to build a semi-episodic structure in which each conclusion triggers a series of events different but very well connected with the above, each more grotesque. Scorsese presents the city as a dark, almost gothic, similar in many respects to that shown in Taxi Driver, inhabited by characters limits, paranoid as Mourinho, with deep trauma that the protagonist is not able to decipher. Moreover, the director pulls her experience as an editor to stretch the possibilities of assembly, with a rhythm breaks chopped planes strange but subtle, to create a sense of wonder in the viewer without abandoning completely invisible installation.

also noticed the great deal that gives life to the fauna of urban junga Scorsese draws. Led by a huge Griffin Dunne manages to embody the confusion and despair a character who does not understand what is happening or why it happens, like Josef K. in The Trial by Kafka. Rosanna and Linda Florentino Archet top the peculiar cast of characters that will be the unfortunate Paul at night you will discover that civilization is much like a jungle. TIPS Download:
No because I am going to Granada with @ jpgaipo, if you can put in comments.

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NOTE # CINECT: 7.8


YEAR: 1998

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NOTE # CINECT: 7.8

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Foreign'm in my own history.


Every day I go back to small spaces of my past. Back to places that were familiar to me, I remember ideas that filled my mouth words, think of the people I were recurrent and somehow had an air of permanence in my life as a feeling that would be there forever.


I always go back and wonder, the capacity to do, say and think. I'm surprised because I recognize in these places because if I do not see saying them would not recognize my words, not because I have a constellation of scars on his body would tell stories that are lies that shows me my memory.

Words are strangers in a foreign language, people are unfamiliar ways and appearances, are somehow lost and directionless. Foreign

'm in my own history.

Sometimes I forget just what is to follow a path, I tired eyes do the same eyes that look like they want to see, like a mirror too small to reflect the whole picture and is always focused on the same site.

Sometimes I even think that I am lost.

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Smith Goes





NOTE # CINECT: 7.2

ORIGINAL TITLE:
Mr. Smith Goes to Washington

YEAR :

1939 DURATION: 129 min . COUNTRY: United States DIRECTOR:

Frank Capra Screenplay: Sidney Buchman
MUSIC: Dimitri Tiomkin
PHOTOGRAPHY:
Joseph Walker (B & W) CAST :
James Stewart, Jean Arthur, Claude Rains, Edward Arnold, Guy Kibbee, Thomas Mitchell, Eugene Pallette, Beulah Bondi, HB Warner, Harry Carey, William Demarest PRODUCER: Columbia Pictures
AWARDS:
1939: Oscar: Best Story. 11 nominations GENRE: Drama


Capra has always been known for showing characters that you have to appreciate. Italian-American director's ability to create lovable characters to the circumstances and again pushed to limit situations is unsurpassed. In "Mr. Smith Goes", a much better title than the bland Castilian "Mr. Smith Goes to Washington" original, we are at a very young and idealistic James Stewart, little more than a boy-scout, embroiled in the murky affairs of a tycoon who controls all levels (policy, justice, media). Mr. Smith, warned of the deception and skullduggery in which they have placed, by a journalist back all (superbly played by Jean Arthur bellezón) and his colleague Diz Moore (once again we find the endearing Thomas Mitchell) will face the whole machinery of Taylor potentate only the rules of the Senate and supported by some kids using a viral buzz for support.
The film may look old (he has 72 years of age) but is cutting edge. See how the policy aligns with the magnates to enrich himself, even at the expense of the plundering of natural resources. The press, as a tool to discredit each other rather than as a tool of transmission of the truth, or at least the information. A group of young people who rebel against the established power and through viral campaigns carry the truth to its logical conclusion, even risking limb. All these issues we're looking at any information in 2011.
The scene in which James Stewart, almost defeated, hoarse, ragged, unshaven and still planting battle in the Senate does not leave you indifferent. I am always puts a lump in my throat, remembering so many battles fought and lost, but there was no other raids to do so. That is the legacy of "Mr. Smith Goes to" know that despite everything, there are battles to be fought because the bastards do not always get their way. As Capra is usual, the cast of players is immeasurable. Mention, in addition to Stewart, the silver knight, Claude Rains and the gorgeous Jean Arthur. Not to mention a few luxury side, as Mitchell, Arnold (Taylor mogul) and Carey (President of the Senate) that appears a few times, but it looks like.
yourself comfortable in the seats, and prepare to enjoy human kindness. Capra and Stewart did not disappoint.

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sad somehow miss what is not wanted in the first place. I would say is that situations change, but not entirely true, not that I have thought about it better, or that I appreciate what my eyes were unable to see at the time.

could be that I have become wiser and able to rethink my past decisions, or whenever it was probably too good for him to see, could even be that in reality I'm destined to always choose the bad choice, machining patterns repeat the same mistake as in the same places.

course always possible that something does not suit me, I did not like, do not satisfy me, at that time whether he would now and facing the past that I find most attractive, I find it less costly, perhaps even arguably a good choice. But that rationale only works if I admit that the more I become older I become more self-indulgent.

sad somehow miss what is not wanted in the first place because it always hurts to sacrifice what it costs, there is always a guilty pleasure, the delicious taste sadistic retain what we have absolute power, knowing that fits in the palm of my hand and I can crush it at any time.

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Teddy Boys Shoes

King's Road, Chelsea, London. The same shoe. Six months later.

Although sometimes knees implore the heavens for my English to go faster, the process moves on slowly but still standing. Neither more nor less. This is the last story.

Customer: Do you've Teddy Boys shoes?
Me: ... Sorry?

For this kind of trouble are friends.

Karol, who is Irish and fashion designer, arrives just in time. With a discreet smile, which in turn is a negative, sheds client accepts no substitutes. A few seconds later, I said: This is a Brit thing, do not worry too much.

Meanwhile, for myself, it turns out, there are "Teddy Boys shoes, why not know how you eat it, why I come to ask me these things, what did I do to deserve this, etc. .

's not fun, of course. Who can be like running out of words in front of someone who is waiting for an answer, but one gets used to everything. The problem with communication is that it can become very complex. The intonation, pitch, speed, accent. A new word without context. The situation at the moment. Or a topic of culture.

research itself is entertaining at home, at least. England, 50's, postwar subculture. Young cool at the time, fans of rock and roll American, wearing a style reminiscent of the beginning of the century dandies, the Edwardian period, and combing with tufts. Is Ted short for Edward and out came Teddy. There are many internet references on the impact of movement and a picture here.

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